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En (Cyrillic)

From Wikipedia, the free encyclopedia
Cyrillic letter En
Phonetic usage:[n], [ɲ]
Name (Early Cyrillic alphabet):нашь
Numeric value:50
Derived from:Greek letter Nu (Ν ν)
The Cyrillic script
Slavic letters
АА́А̀А̂А̄ӒБВ
ГҐДЂЃЕЕ́Ѐ
Е̂Е̄ЁЄЖЗЗ́Ѕ
ИІЇИ́ЍИ̂Ӣ
ЙӤЈКЛЉМН
ЊОО́О̀О̂ŌӦП
РСС́ТЋЌУУ́
У̀У̂ӮЎӰФХЦ
ЧЏШЩЪЪ̀Ы
Ы́ЬѢЭЭ́ЮЮ́Ю̀
ЯЯ́Я̀
Non-Slavic letters
ӐА̊А̃Ӓ̄ӔӘӘ́Ә̃
ӚВ̌ԜГ̑Г̇Г̣Г̌Г̂
Г̆Г̈г̊ҔҒӺҒ̌
ғ̊ӶД́Д̌Д̈Д̣Д̆
ӖЕ̃Ё̄Є̈ԐԐ̈ҖӜ
ӁЖ̣ҘӞЗ̌З̣З̆Ӡ
И̃ҊҚӃҠҞҜК̣
к̊қ̊ԚЛ́ӅԮԒ
Л̈ӍН́ӉҢԨӇ
ҤО̆О̃Ӧ̄ӨӨ̄Ө́Ө̆
ӪԤП̈Р̌ҎС̌ҪС̣
С̱Т́Т̈Т̌Т̇Т̣Ҭ
У̃ӲУ̊Ӱ̄ҰҮҮ́Х̣
Х̱Х̮Х̑Х̌ҲӼх̊Ӿ
ӿ̊ҺҺ̈ԦЦ̌Ц̈ҴҶ
Ҷ̣ӴӋҸЧ̇Ч̣Ҽ
ҾШ̣Ы̆Ы̄ӸҌ
ҨЭ̆Э̄Э̇ӬӬ́Ӭ̄Ю̆
Ю̈Ю̄Я̆Я̄Я̈Ӏʼˮ
Archaic or unused letters
А̨Б̀Б̣Б̱В̀Г̀Г̧
Г̄Г̓Ҕ̀Ҕ̆ԀД̓Д̀
Д̨ԂЕ̇Е̨Ж̀
Ж̑Џ̆
Ꚅ̆З̀З̑ԄԆԪ
І̂І̣І̨
Ј̵Ј̃К̓К̀К̆Ӄ̆К̑
К̇К̈К̄ԞК̂Л̀
ԠԈЛ̑Л̇Ԕ
М̀М̃Н̀Н̄Н̧Н̃
ԊԢН̡Ѻ
П̓П̀П́
ҦП̧П̑ҀԚ̆Р́Р̀
Р̃ԖС̀С̈ԌҪ̓
Т̓Т̀ԎТ̑Т̧Ꚍ̆
ѸУ̇У̨
ꙋ́Ф̑Ф̓Х́Х̀Х̆Х̇Х̧
Х̾Х̓һ̱ѠѼѾ
Ц̀Ц́Ц̓Ꚏ̆
Ч́Ч̀Ч̆Ч̑Ч̓
ԬꚆ̆Ҽ̆Ш̀Ш̆
Ш̑Щ̆Ꚗ̆Ъ̄Ъ̈Ъ̈̄
Ы̂Ы̃Ѣ́Ѣ̈Ѣ̆
Э̨Э̂Ю̂Я̈
Я̂Я̨ԘѤѦѪ
ѨѬѮѰѲѴѶ

En (Н н; italics: Н н) is a letter of the Cyrillic script.

It commonly represents the dental nasal consonant /n/, like the pronunciation of ⟨n⟩ in "neat". And it can be palatized /nʲ/ like in the pair of hard and soft consonnant for the word: жена́ [ʐɨˈna] 'wife' and же́нин [ˈʐeɪn] 'wife's'.

Glyph

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The capital Cyrillic letter En looks the same as the capitals Greek letter Eta (Η η) and Latin letter H. As with most Cyrillic letters, the lowercase form is simply a smaller version of the uppercase. However, in modern Church Slavonic publications, the old N-shaped form is still often used.

It should not be confused with the letter И (similar to a mirrored shape of the Latin letter N):

  • The cursive of the capital letter is similar to the English model Copperplate script, with a modification: the line between the two columns is a rising diagonal, exactly as in letter И. And the minuscule, use quite the same ductus (without the loops), leading generally to a rising diagonal too.
  • In some handwritten and typographic fonts, these two Cyrillic letters may be difficult to distinguish because they are both drawn with two wide columns (unlike modern Greek and Latin which use wide columns only on the letter H and thin columns on the letter N) and with an almost illegible line between these two columns (the letters use a different angle, but sometimes it's too close to the horizontal and the line can be so thin that the angle is almost invisible).
  • In some context (advertising, packaging), it is frequent to see on the same page the modern shape and the previous forms (considered as "Slavic" or "Church" with the "illegible" line).

History

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In the Early Cyrillic alphabet, the letter was created according to the model of the Greek letter Nu. The modifications of the glyph N over the centuries have led to the adoption of the current form of Greek letter Eta (H), a shape that has been formerly used as a model for the letter И.

Theories

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The believing that "the reason En has a horizontal bar, like H, instead of a diagonal line, is to avoid confusion with the letter И" has no groundings:

  • The original shapes of letters Н and И were shapes N and H, and were perfectly legibles during centuries. And the Greek and Latin glyphs N and H are both still the same today.
  • Difficult to say that the mirrored shapes N and И would be confusing in the same alphabet as Latin alphabet has many mirrored letters like b and d, or p and q, and letters very similar like O and Q, or C and G. Even Cyrillic alphabet has preserved the very similar letters Б and В (В could have turned into a Latin V) or has created a confusion between letters Л and П (formerly Л had a shape of Lambda Λ).

It seems more probable that the change of shapes in Cyrillic resulted from a cascade of consequences, apparently around the letter И, and maybe also letter І and the letter П (see these letters for details of their history).

Initial shape

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From c. 893 in Bulgaria, the Early Cyrillic alphabet was made of uncial Greek letters and glagolitic letters. This Cyrillic uncial, called "Ustav (script) [ru]" in Russian, is a style developed on the model of the Greek uncial.

The name of En was нашь (našĭ), meaning "ours". The letter was created according to the model of the Greek letter Nu (Ν ν) as they share the same sound /n/. Therefore, the letter had a descending diagonal "\" between the two vertical lines.

At the same time, the letter И was created according to the model of the Greek letter Eta (Η η) for the same reason (sound /i/). Therefore, the letter had a horizontal line "-" between the two vertical lines.

In Cyrillic uncial style (as in Greek), for the two letters Н and И (shapes N and H), the vertical columns are drawn wide and the line between is thin.

These shapes are mainly used up to the 13th century, and since the 19th century, in academic publishing to reproduce old Slavonic texts (when ustav-style Cyrillic fonts are used). See for example:

The letter И like an H can still be seen in a book "Arithmetic" from Leonty Magnitsky published in Moscow in 1703 (see the book ШИЦГАЛ А.Г., РУССКИЙ ТИПОГРАФСКИЙ ШРИФТ, page 24), or in a book printed by order of the Tsar in 1706 (see Font of I.Kopievich in the Russian version of the article Civil script [ru]).

First modification

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In the Cyrillic letter Н with the Greek shape N, the descending diagonal "\" will progressively become shorter:

  • the diagonal starts either at the top of the first vertical line, or lower with a very small angle (10 to 20 degrees).
  • the diagonal ends in the middle of the second vertical line;

See for example:

One of the explanations may be the management of the virtual line horizontally dividing the letters as А,Б,В,Є,Ж,З,Н,К,Х,Ч,Э,Ю. And this was also applied to the glyph N for some unknown reason (maybe a need for simplification, or to create a styling effect). For example, the scribe draws the horizontal in the glyph H higher than the middle, then the other similar letters will be drawn with a virtual line higher. Therefore, in the glyph N, the scribe must shorten the diagonal and make it end at the level of the virtual line. Then, other scribes repeat the same modifications but sometimes without respecting the same virtual line for all the letters, thus making the root cause disappear.

In uncial Greek, the shape of the letter H sometimes sees the horizontal line rise upwards, and the shape of the letter N either does not change, or moves accordingly, and sometimes we can see both versions in the same text (see Lectionary 5 and Lectionary 183).

Second modification

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From the 15th century, the poluustav [ru] (en in Russian) a semi-uncial style developed, and is notably still used today by the Church Slavonic publishing. This style turns into a more fluid writing: there is a slope, letters descending below the line, capital letters, transitional cursive.

In parallel, the first printing fonts are being developed. In 1517, a work of simplification and "romanization" of the Cyrillic alphabet by the first Belarusian printer François Skorina (Prague and Vilnius editions) will give a writing of capitals close to modern. This font was further improved thanks to the Belarusian printer Ilya Kopievich, who from 1700 to 1706, by order of Peter I, published about 25 books in Amsterdam and Danzig. The font of his publications was extremely close to the civil font adopted by the Russian emperor and printed by Pierre Mogiloy in 1708.

In the Cyrillic И with the Greek shape H, the horizontal line "-" has become an ascending diagonal:

  • the diagonal starts at the bottom of the first vertical line, in the middle or at three-quarter;
  • the diagonal ends either at the top of the second vertical line, or lower with a very small angle (10 or 20 degrees).

See for examples:

Therefore, the H-shape for the letter И became less frequent and eventually became available for another letter as... Н. Then the official Civil Script made it mandatory to use the H-shape for the letter Н (in use at that time, see Karion Istomin's alphabet book from 1694) at the detriment of the original N-shape. No specific explanation is available for this choice and if there was a problem with readability, it could have been decided to return to the original shape as in the Greek or Latin alphabet. We can only note that the Church prefers to continue using the old shape, thus refusing to reverse two ghlyphs in the Cyrillic alphabet created specifically to translate the Bible, and thus avoiding repeating the instability of this H-shape (cf. cursive).

Utilization

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  • During the transition from Cyrillic to Latin alphabet, the Romanian transitional alphabet used the Latin glyphs N and n (or ɴ), instead of the Cyrillic glyphs Н and н starting 1846.
  • In the Agatha Christie novel Murder on the Orient Express, there is a monogrammed handkerchief, and the "Н" is actually a Cyrillic letter, saying that her forename is Natalia.
  • The Cyrillic letter "Н" is one of the symbols of the movement of supporters of Russian opposition politician Alexei Navalny.[1]
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Computing codes

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Character information
Preview Н н
Unicode name CYRILLIC CAPITAL LETTER EN CYRILLIC SMALL LETTER EN
Encodings decimal hex dec hex
Unicode 1053 U+041D 1085 U+043D
UTF-8 208 157 D0 9D 208 189 D0 BD
Numeric character reference Н Н н н
Named character reference Н н
KOI8-R and KOI8-U 238 EE 206 CE
Code page 855 213 D5 212 D4
Code page 866 141 8D 173 AD
Windows-1251 205 CD 237 ED
ISO-8859-5 189 BD 221 DD
Macintosh Cyrillic 141 8D 237 ED

References

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  1. ^ "Дальше – арест за запятую?!" Майор Удод нашел экстремизм в букве Н". Sibreal (in Russian). Retrieved 10 July 2024.
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  • The dictionary definition of Н at Wiktionary
  • The dictionary definition of н at Wiktionary